Sunil Chadha
Kalidasa’s name shines brightly in the firmament of Indian literature. His works are celebrated not only for their poetic beauty but also for their profound cultural, philosophical and emotional depth.
Among his masterpieces, Meghadutam holds a special place for its extraordinary blend of love, longing and the majesty of nature. However, many of our ancient literary gems, including this beloved work, are preserved in Sanskrit — a language that is no longer widely known or accessible to the general public.
With deep reverence and poetic sensitivity, Prithi Paul Singh, a distinguished poet, writer and senior Himachal Pradesh Administrative Service officer, has rejuvenated this classic and made it accessible to a wider audience through his lyrical Hindi translation titled Ashadh ka Pratham Diwas.
Prithi Paul Singh’s journey as a literary figure is as inspiring as his translation itself. Known for his empathetic and pro-people approach in public service, he is equally celebrated for his creative expressions.
A poet, short story writer, lyricist and novelist, his works frequently appear in leading literary magazines, while his sensitive landscape photography reflects the same attunement to nature that breathes life into his verses. His appreciation for classical literature, coupled with his ability to connect with contemporary audiences, makes this translation more than just an adaptation — it is a heartfelt recreation of the original’s soul, breathing new life into a treasured literary gem.
The story of Meghadutam revolves around a Yaksha separated from his beloved, sending his message through a passing cloud. Singh’s translation revives this emotional core with simple yet lyrical language that resonates deeply with modern readers. The anguish, memories, hopes and trust of the exiled Yaksha are portrayed with elegance, preserving the dignity and rhythm of the original while making it relatable and accessible.
The title Ashadh ka Pratham Diwas is itself a masterstroke, capturing the emotional awakening that occurs with the onset of monsoon clouds. The first day of Ashadh symbolises not just a change of season but the stirring of suppressed emotions — love, longing and the pain of separation — making it an evocative lens through which the entire narrative unfolds.
One of the most remarkable aspects of this translation is its seamless language and style. The flowing, graceful Hindi retains the musicality and cadence of the Sanskrit original while ensuring that the reader never feels burdened by archaic expressions. Singh’s ability to strike this delicate balance between tradition and modern readability elevates the work into a rare and significant contribution to Hindi literature.
The scholarly appreciation of this effort adds further weight to its importance. In the foreword and preface, respected literary figures, including former Chief Minister and noted writer Shanta Kumar, have lauded this translation as a revival of Sanskrit poetry for modern readers. Their endorsements underscore the work’s depth and timeless appeal.
Adding a visual dimension to the book, the cover page — designed by Padma Shri Vijay Sharma of Chamba — imbues the publication with elegance and aesthetic grace, complementing the poetic beauty of the text.
The author’s reflections reveal that this translation is not merely an intellectual exercise but a labor of love and devotion. Singh views Meghadutam as a universal tale of love, endurance and hope — themes that transcend time and geography. His work invites readers to experience not only the beauty of language but also the emotional landscapes that shape human relationships.
In today’s fast-paced, often superficial world, where connections are fleeting, Ashadh ka Pratham Diwas offers a poignant reminder that true love is forged through waiting, pain, and perseverance. These emotions remain timeless, making the translation as relevant now as ever.
